Muffled kick drums and filtered snares echo into your auditory field as distant serpent synths weave gently into your awareness. Soon, splashing cymbals and rising sonic tides elevate your ears into an ocean of technical intricacies washed and tumbled by waves of emotionally driven atmospherics. Imagination takes over and you’re launched into the land of Daega Sound. To breath underwater never felt so natural.
Hailing from a forested coastal island in the Strait of Georgia beyond Vancouver, this dynamic pair of Canadian dub producers come together to create an undeniably unique sound. Known for their technically advanced rhythms and dynamic synth work, Daega Sound seamlessly fuses the frequencies that we may commonly refer to as Dubstep, Drum n Bass or Techno. With their strikingly keen ability to navigate the depths through their music, it’s no wonder that these boys literally shared the same womb. If you’ve ever seen these guys perform, one thing is clear… They are brothers.
I had the pleasure of chatting with Daega Sound at Bass Coast in Merrit BC last summer. Unfortunately, shortly after the interview the recordings vanished. Like a long lost treasure which surfaces at the opportune moment, the recording has been recovered, just in time for Bass Coast 6 – Mutiny. #YAR!
Check out the interview below and be sure to tune in to some of the tunes from Daega we’ve included throughout this article. The boys had the opportunity to follow up to share what’s new in the world of Daega Sound since last year. Jump to the end for that, but don’t miss what they had to say about Bass Coast, what’s happening in the world of electronic music, and the bass music scene’s dirty word “Dubstep”.
So tune in, listen up and recognize that no matter how someone may choose to categorize your favorite music, only one phrase fits when describing the music of Ben and Josh Searles. This is Daega Sound.
Check out more from Daega Sound on Facebook and Soundcloud. Also check out their recent releases with Brooklyn bass music label Tuba Records. Lastly, be sure to check back at GANJAOLOGY this coming week for The Lost Tapes Pt. 2 with Michael Red!
See you all at Bass Coast, August 1-4 in Merrit, BC!!
Here’s the interview…
MICK :: Alright, this is Mickey and Nala with Ganjaology and we are here at Bass Coast with Daega Sound. Why don’t you guys just introduce yourselves and tell us a little bit about the project?
BEN :: My name is Ben, This is my brother Josh…
JOSH :: Hey
BEN :: And we make bass music, and well…
JOSH :: All kinds of stuff
BEN :: A lot of what we put out is in the 140 dubstep world, although we’ve got a release coming out soon with Loxy and Resa on the Cylon, which is a 170 DnB release.
JOSH :: We come from a pretty diverse background in music. We were trained classically when we were younger. And so as we sort of grew up, we started to thirst for some new sounds and stuff and as we didn’t grow up in the sort of mainstream world of music, we didn’t go pop or mainstream we sort of went underground, deeper and deeper and we never looked back or came out of it.
MICK :: Sweet. So, are you guys Vancouver based?
BEN :: Ya we live just outside of Vancouver, a short ferry ride, about 40 minutes outside of Vancouver. We are some what isolated so we can focus, we’re also close enough to the city that we can stay connected. It’s a perfect kind of balance.
MICK/NALA :: Ya we’re both familiar with that ferry ride into the city, we do it to in Seattle.
JOSH :: Oh no way.
BEN :: Killer…
JOSH :: I love it. It’s the best because you get the best of both worlds. We like to be not distracted… You know and in a place like that it’s like one stop light between you and the grocery store, get like good maximum studio time. In the winter anyways, summer’s ridiculous.
MICK :: Absolutely. Ya so it’s like “underground…” I guess, would you use an other words to describe your music?
BEN :: It’s kind of introspective.
JOSH :: Ya, and it really melodic, soundscape-y.
BEN :: Atmospheric, Soundtrack-y, a lot of people call it deep…
JOSH :: But it’s heavier and headier than “deep”. It’s not slow. It’s pretty syncopated. Ben was a drummer growing up and I played guitar so we kind of had a good thing going with rhythm and melody so there’s always those things are always the mainstays but everything comes from another place. We just do whatever, we’re like conduits.
BEN :: We used to DJ like drum n bass and techno, so you hear a lot of that drum n bass in there.
JOSH :: The neat thing about that sound, about the 140 “dubstep” sound, at least when we got into it, there were little bits of everything. Like there was DnB elements and there were some techno elements in there. Some dub, well lot’s of dub. We both are huge into like reverb, delay and all this. So it was a good sound for us because we were writing all sorts of stuff and we could kind of coalesce these into one place where we could focus it.
MICK :: And you guys are brothers, is that true? I mean blood brothers?
BEN :: Yes. Yes..
JOSH :: Ya we been doing this a long time. Our mom was a choreographer and a dancer and our dad was a composer…
BEN :: Haha, ya been doing this kinda thing for a little while.
MICK :: Ya, I come from a drummer father and my mom’s a dancer.
JOSH :: Oh cool, ya we spent a lot of time backstage thinking…
BEN :: “Oh.. those are some cool lights and buttons.”
MICK :: Nice. So maybe you guys can talk about any new releases, maybe recent releases that you’ve done or you’re working on.
BEN :: Ya we put our first record out on black box, which is probably one of our biggest releases. It’s a UK label, it’s got acts like Headhunter and Kryptic Minds and Jack Sparrow and a lot of guys that we sort of looked up to for a long time, and still do. And in our sets you hear a lot of those guys.
JOSH :: Ya we’ve played a lot of their stuff and a lot of stuff off their label. And we have another upcoming release with the in the fall. We put some stuff with a newer imprint, Tuba.
BEN :: Well, they’ve been around for a little while actually.
JOSH :: This is our fourth release, I think. So we’ve got another one coming up and then as Ben said the Locksee and Rez, it’s a CX Digital… Our first official drum n bass release. So branching a bit. We’ve had plans for an album, sort of sneaky in the background for a while and we thought we were going to be able to pull all that out this year, but…
BEN :: Ya, it’s gotta take it’s own time.
JOSH :: We’re not a quantity type of couple of producers, we’re more like the Tool. Putting one record out every four years sort of thing. You know, put the time and effort in to make it count.
BEN :: When we’re letting the ideas percolate it’s always nice to spend a summer going and checking out new acts and new sounds and getting new inspiration and you take that energy back into the studio. Get in the shed. It all sort of steeps and it comes out in new ideas.
JOSH :: Were gonna be doing… As far as performance, we’ll be keeping up our writing as we have been. We’ve got ideas to launch a new Daega Sound music store, so we’ll be able to do a lot of our own stuff. But also, as far as performance goes we’re gonna stick to the two by four now, so we have a lot more scope and range as far as DJ sets go… With four decks. And then we’ll be doing a lot more live stuff coming up. We’ve got enough material that it makes it worth it.
MICK :: So you guys run two decks each?
BEN :: Ya, two decks and two mixers.
JOSH :: It’s like a brother thing, you know. Everything has to be shared. He’s got two turntables, I want two turntables.
BEN :: Ya it keeps us from getting bored.
JOSH :: Two deck sets are fun, but you know. You can just do so much more.
MICK :: Well cool. This is a good seg-way into we’re here at Basscoast, so why don’t you give us the scoop on Bass Coast. What’s this gathering all about?
BEN :: This is like a big extended family out here.
JOSH :: Pretty much every level of infrastructure here has got people from our crew.
BEN :: We’ve been around since the first one, so you see the evolution go from like 700 or 800 the first year and there’s thousands this year. The production each year, it’s just grown. And it’s sort of getting into its adolescence now. It’s getting to feel more comfortable with itself and the systems. Its a new site here, so they had to go through a lot of learning curves I’m sure to get on top of everything that goes with getting a new sight, but from the front it’s seamless. It’s been an awesome experience.
JOSH :: It’s kind of like an outdoor Mutek in a way, where you have really high level production sound, lights, and talent – but you’re in an outdoor setting in that way.
MICK :: Cool, so any words of wisdom for up and coming musicians out there?
BEN :: The one thing that we’ve always been told and what’s kept us going is perseverence. You just don’t stop.
JOSH :: And to be really honest with what you do. Write the music that moves you, not what you think is gonna… You know, because I think people are receptive to honest music so just let it come naturally and just don’t give up. That’s what we were told.
BEN :: And our older brother Ron is an engineer and he always says… While there’s a lot of music out there right now, more than ever before with the technology that’s available, there’s always room for good music. People will always be ready to hear good stuff, so don’t be afraid.
JOSH :: The other thing is that everything takes its own time.
BEN :: Music is sort of a life long interaction or relationship with the individual that is creating it, or a part of creating it. It’s always been there, it’s always gonna be there. You now, take your time with it.
JOSH :: We like to think of music lasting forever. You know, you think of some of those composers that wrote in the 1500s and it’s still being played today. That’s sustainability. I mean that’s what I classify as timeless.
MICK :: You’re a part of Lighta! is that true?
BEN :: Ya we’re a part of the Lighta! Sound.
JOSH :: Ya, I guess we’ve only been Daega Sound for about 5 years. This is our fifth year now, In 08 so it just kinda got blown there. And that’s when we joined up with the Lighta! guys which is great because they’re a good bunch of guys to roll with. Good inspiration, support.
BEN :: We’ve got some sort of compilation ideas coming along with a whole bunch of us that are making music as well, putting music out. So it kinda makes sense that we do something together like that.
JOSH :: Ya we do events together. It will be nice to see where that goes this year.
MICK :: We recently did an interview with Self Evident where he mentioned you guys and he said that, Daega has been saying that there’s a reimergence of dubstep in it’s truest form. So do you have anything to say on that?
JOSH :: It was Youngsta actually that I remember reading an article on talking about that in Europe because in the UK… Imagine the ripple effect. You drop a stone in the water in the UK and it as it moved out it kinda stopped. But I think theres a whole new generation. I think the young guys that were into the “bro-step” are growing up a bit and searching for stuff thats a little deeper.
BEN :: They’re curious.
JOSH :: They’re curious and there’s bigger numbers now toward that sound. Or it feels that way at least.
BEN :: We’re just at the point where another wave is about to spill over.
JOSH :: It does feel like that. We’re always listening to new music and what’s going on and there was definitely a period where things were kinda quiet.
BEN :: We were talking to Goth Trad earlier and he was saying that there’s a lot of guys doing stuff in the 130 bpm range in the UK now but you see in Holland and Belgium a lot more 140 happening.
JOSH :: It sort of moves around the world like that, that sound.
MICK :: It’s a beautiful culture we got going on.
JOSH :: It’s really fucking cool.
BEN :: It’s a big international family.
MICK :: Cool, well much respect to you guys.
DAEGA SOUND :: Yes, thanks!
GANJAOLOGY :: It’s been a year in the life… What’s changed since last year’s Bass Coast?
DAEGA SOUND :: We’re always refining the sound and how we go about creating and performing it, it’s an ongoing evolution. There’s a bunch of new dubs in the stock pile and tunes coming out including a 12″ up next with NYC’s TUBA imprint. Our Daega Sound Music store will be online soon, excited to see that coming to fruition. Also keep your ears peeled for Daega Sound radio shows in the near future.
Thanks to Vasho Photography, Bass Coast, and Daega Sound for the photos.
The Basscoast Mutiny lineup has been revealed, and as expected, it’s stacked with an impressive array of musical talent. For the past three years the Ganjaology team has adventured north into the Canadian wilderness to share in one of the highest vibes parties this side of the Kootenays… and you better believe we’re gearing up for another round!
Year after year the Bass Coast Project continues to amaze, enliven and inspire. Once again, this year The Bass Coast Girls (organizers Andrea Graham and Liz Thomson) have outdone themselves. Performances for this year’s bush session include Addison Groove, Tribe Called Red, Bogl, Cure, D Bridge, Danny Corn, G Jones, J.F. Killah, Kir Mokem, Mat The Alien, Max Ulis, Natasha Kmeto, Nick Wisdom, Philthkids, Self Evident, Sweater Beats, Tank Gyal, Librarian, and Yan Zombie among others!! We’ve listed music from many of the musicians below.
Listen to the sounds and imagine yourself in the forest, the beats filling your auditory field. Notice how you feel as these frequencies are filtered through your receiving centers. Are you inspired? Does the music make you move, make you bow your head and hum… Do these sounds suggest to you love or lust, laughter or longing? Are you sick with excitement?
Whatever the case, our physicians here at Ganjaology Institute prescribe one fat dose of BC trees combined with all manner of creation from raw to refined (super pun here, please smirk responsibly). Coincidentally you can get all this at Bass Coast. Do your body a favor and get up to Merritt, BC this August for Bass Coast 6 Mutiny!
A THOUSAND YEARS
A TRIBE CALLED RED
ANDREW VAN HASSEL
DJ K-TEL SUNDAY SOUL SESSIONS
DJ LORNE B
EL PAPA CHANGO
FORT KNOX FIVE
HEART TO HEART (BRON AND MOE LOWE)
JANOVER & RESUNATOR
JPOD THE BEAT CHEF
KRYSTLE LOVE B
LUCITERRA & CHRIS MURDOCH
MAT THE ALIEN
SWEET SOUL BURLESQUE
THE FUNK HUNTERS
If you’re not already hip to Mat The Alien, it’s time to inform yourself. This man is one of the well kept secrets of the Pacific North West. Originally from England, now residing primarily in BC, Mat The Alien holds down a weekly event at Maxx Fish Lounge in Whistler with Andrea Graham aka The Librarian, one of the creators of Bass Coast. Mat is also the founder and head of Really Good Recordings, a premium bass music label based in BC, Canada!
Here we have ground breaking mix from Mat The Alien, which he did for the BC based music blog Dub Selekta and their Bass Coast Festival Decompression Series. This is packed full of tunes, plus some very rare DJ tricks that only Mat can do. If you’ve ever seen him play, you will know what we’re talking about. His skills are out of this world, hence… The Alien!
More from Mat on his Soundcloud here.
If you’re not already a part of the Vancouver bass music scene, you likely aren’t yet privy to the distinct sounds of Self Evident. This BC native is known for his high grade, genre flexing DJ sets and masterful production. Sticking mostly to the heady, subterranean type vibes, Self Evident’s sets move through dubstep, future bass, raw dub, trap, footwork, jungle, juke and other ill defined contemporary frequencies. The bottom line is that the man has a knack for creating sonic landscapes which push the musical envelope and create opportunity for vibrating gyrations of the pelvic kind.
I recently had the chance to catch up with Self Evident when he was performing in Seattle. While kicking back and enjoying some classy beverages, we chatted about everything from birds to bees to bass… Check out the interview below.
Also, I’ve included some essential sounds by Self Evident. Feel free to toggle to your hearts desire. Just today, he is releasing his 8 track album, Rubbaman with Really Good Recordings. Be sure to cop that on Beatport!
In just a few short days, Self Evident will be headed up to Merrit for the weekend to participate in BC’s most bossed up bass music festival… Bass Coast. He will be performing among other superb acts including the whole team from Lighta! Sound, the infamous Librarian, Michael Red, Goth Trad, Machinedrum, HxDB, Om Unit, Dan Solo, Daega Sound, DJ Cure, Neightbour, Mat The Alien, Random Rab, The Fungineers, Alphabets Heaven, Calamalka, and many more. If you’re going, don’t miss Self Evident’s solo set along with the Lighta! Reggae Jam…
Here’s the interview. Big up and many thanks to Ben for his kindness in sharing with us!
GANJAOLOGY: Alright… We are here in Seattle. This is Mickey Mars with Ganjaology. I’m here with Self Evident. He’s from Vancouver BC. So do you want to just tell us a little bit about yourself?
SELF EVIDENT: Self Evident. Vancouver BC. Representing Lighta Sound!.
GANJAOLOGY: Nice. Very nice. Welcome. So ya, this is your first night playing in Seattle?
SELF EVIDENT: Ya
GANJAOLOGY: Nice. Well we are looking forward to checking it out. I hope you are enjoying your time in Seattle so far.
SELF EVIDENT: It’s beautiful here.
GANJAOLOGY: Great! Let’s start with the basics. How did you originally get into music?
SELF EVIDENT: Definitely having older siblings helps, like my brother’s four years older than me, and he got into electronic music pretty early. He introduced me to a lot of seriously old school dance music which gave me sort of that leg up that a lot of those british guys have, as far as knowing about electronic music when they were kids. And then… How did I get into shit?
GANJAOLOGY: Did you play any instruments in school?
SELF EVIDENT: I did, I was a musician. I was in a few bands, like playing guitar and stuff. And I guess Max had DJ’d for a long time, I’ve been producing for a long time. And then we sort of traded off those skills a little bit, so that helped. And then, a huge influence was when my brother did a Tuesday weekly called Grime Sessions out of the back room in Shine Night Club in Vancouver, and that still has such a huge impression on me. I used to go to every Tuesday and get really drunk and dance super hard to grime music, and I still… that’s probably the biggest influence on me besides like, dancehall is pretty big for me. But grime does something deep inside of me that I can’t explain, like more than any other style.
GANJAOLOGY: Nice, that’s funny. Well my next question was what is your biggest inspiration, haha…
SELF EVIDENT: Well I still collect grime on vinyl. It’s like one of my hobbies. I have a pretty serious vinyl grime collection, and also UKG and two step. Still collect that on vinyl.
GANJAOLOGY: Any specific artists?
SELF EVIDENT: Ahhhh… Nope.
GANJAOLOGY: Nice. Perfect. Haha. That’s awesome man, well we’re looking forward to seeing what you play tonight.
SELF EVIDENT: I guess hip-hop is a huge influence on me too. Gangster stuff. I remember, I think, that my brother bought this NWA tape, “Hundred Miles and Runnin'” And back then you actually had to be of a certain age to buy a thing that was explicit material. I remember him buying that. I couldn’t have bought it at the time. And listening to it. That was a big influence for sure. Lot’s of hip hop. Big influence.
GANJAOLOGY: My mom made me return the Cash Money Millionaires, Juvenile album.
SELF EVIDENT: Oh my god, hahaha. Hilarious.
GANJAOLOGY: Right!? Anyway, I’ve seen you perform a couple times. Always in Canada. I gotta say Canada is unbelievable. The bass scene up there is pretty awesome. Vancouver primarily, but Canada in general. So what can you say about that?
SELF EVIDENT: Ya, I feel really blessed with what’s going on in Vancouver right now. We’ll even get headliners in from London who are like… The scene is even more into the music than in England. You know what I mean, like really dedicated fans. And not only that but fans that know their shit. Like I learn shit from my fans. “You need to check out this” or “you need to check out that” They’re on to it. And their really… Maybe a lot of conditioning from the early Dub Forms parties, but people are open to hear something that they never heard before. They’re almost expecting that from me and from other DJs, you know. They’re ready to give me the fucking, “What the fuck is that shit stuff”
GANJAOLOGY: Ya that’s awesome! So ya, we spoke a little bit about your brother, but I have to ask. Obviously you guys are connected. I’ve seen you at the same events, doing the same shows, stuff like that. You came out with the Eastsiders EP last year, which was awesome! That one track has been echoing in my head all summer.
SELF EVIDENT: “Numba One Stunna?”
SELF EVIDENT: Oh Nice
GANJAOLOGY: “Move ya, Move, Move…” Like aaahhhh. So do you guys have any new releases that you’ve been working on together?
SELF EVIDENT: Working on lots of stuff with my bro. He’s very meticulous about what he puts out so don’t know when that stuff will surface. Really stoked for my collabos with Subcorr. Double Intention is our R&B one, and Blockout is the grime one that we’re working on. Those are going along really well.
GANJAOLOGY: Nice. Are those going to be EPs or full length?
SELF EVIDENT: We have a whole album produced with the R&B one. We’re just working with a vocalist right now to write some songs. And then the Blockout one, we have about five or six tunes just about done. Just about to start chopping them to labels. Grime with a little bit of dubstep with a future kind of influence.
GANJAOLOGY: Nice that’s awesome. Ya I think one of the things that has majorly impressed me personally is your ability to transition between different genres, and really to just bring a certain level of play. It’s like your sound, but yet you’re moving through a lot of different stuff. I wanted to ask specifically about the Wepa! album. I heard that and it’s just way different, and super cool. So would you tell us a little bit about that one.
SELF EVIDENT: Ya, I met this guy Will Eede from Argentina, and my buddy Dustin (Gameboy) spent a little time in Mexico. And they kinda had a history with Cumbia music and they introduced me to Cumbia, and it was really intersting. Anytime I hear something that’s like so out of the pallet that I know, it’s always like wow. There’s something I can take from that. Whenever I hear something super fresh, I instantly have to go and make something with that influence right away. Anyway, through working with them got super influenced by a lot of the Latin artists. Chancha Via Circuito, Super Guachin, Black Mandingo. But right now kinda working on a little bit of a druggy, trippy sort of indiginious music influenced thing with Will Eede. And then, with Gameboy, we’re hopefully gonna be doing a project with Lido Pimienta who’s out of Toronto. Really, really talented singer who’s originally out of Columbia. So that’s on the horizon for that.
GANJAOLOGY: Cool, Nice.
SELF EVIDENT: And if possible, I’d like to mention my co-lab with Yan Zombie that we’re working on right now. It’s like some mad Dr. Dre Chronic shit meets future bass. Really, really excited for that. That man is a king on the keyboards. Which kinda gives me that thing which I don’t have quite yet, which is that live keyboard playing.
GANJAOLOGY: Great. So I’ve seen you a couple festivals as well as clubs. Do you have a specific favorite place to play or general vibe that you like?
SELF EVIDENT: Ya, my brother’s night’s at Open Studios are pretty legendary. Just such a good vibe there. He always puts together a great lineup. Michael Red of course used to put on the Dub Forms parties there in the really early dubstep days, bringing all the early dubstep innovators before people were on to that shit. So that space is amazing. Obviously I have my monthly at the Astoria which is a little more grubby gangsta style.
GANJAOLOGY: What’s the name of that night?
SELF EVIDENT: That’s a good question. I’ve been doing it for over a year now and I still don’t have a name for my monthly. Haha, I actually thought about one while laying in bed last night… And I forgot it. I though it was the one though. It will come back to me. Thinking of a name for something is hard!
GANJAOLOGY: Any big plans for the summer, plans for the year? Anything you are particularly excited about?
SELF EVIDENT: Well Bass Coast Festival of course. Probably… As far as like, for real heads, future heads… I don’t see another lineup in all of North America which has that much quality at the top of it. You know what I mean? Like, not just… I don’t want to name names, but not just shit that the masses are into or know about. You know, like stuff that the real heads wanna see super bad. It’s just a massive lineup, in that sense. Andrea, her taste in music… To have someone picking all the music like that, it’s awesome.
GANJAOLOGY: Yes. Very excited. We’ll be there for sure.
SELF EVIDENT: It’s weird. It’s the only festival I’m playing this year though. I go five last year so…
GANJAOLOGY: You’re pushing the production then, huh?
SELF EVIDENT: Working on it, ya. Oh for sure. Working on a whole album right now. It’s kinda grime, dubstep, kinda thing. It’s weird, there’s a wickid resurgence in dubstep right now. Proper dubstep is coming back. People like Kahn obviously. He’s a big part of why this is coming about. A lot of people are like, “Oh shit. I wanna hear this again” Daega has been saying it to me for a couple months, or even longer than that. I just played in New York City for a guy that does a monthly called Reconstruct, They have a serious following for proper dubstep in NYC right now. Their shows are selling out and they’re bringing all those big names again, and they’re doing it proper.
GANJAOLOGY: Anything you care to share that you haven’t said already?
SELF EVIDENT: August 23rd I’m doing a show at the Astoria with Monolithium from Victoria, and Bevvy Swift from Montreal, and Crusha who just got a release on Mad Decent! And Kimmy K, it will be one of her first sets. She’ll be opening up. Should be good. I think that’s it. And shout out to HxDB, everyone in Lighta! of course, Librarian… Who else should I shout out? Oh my god, they’ll hate me. Ok that’s about it.
GANJAOLOGY: Awesome. Thanks!
It’s a wonder how frequently we allow the frequencies of our daily lives to govern our emotions and send us into swirling patterns of ever rolling tides. As I begin to awake to the reality that my experience is simply a song, a beautiful sonnet of intermingling notes, chords and phrases – I find the importance of filling my ear space with uplifting sound.
With the many opportunities for listening, it is sometimes difficult to choose the frequencies that we allow to penetrate. For those out there, that share my excitement in cutting through the illusion – I recommend the music of Michael Red. This Vancouver-based dance floor don, also happens to be one of the West Coast’s leading sound scientists. His work with the Low Indigo project is truly an experiment in the science of sound, a testing ground for new found frequencies.
Is it true what they say about the possibility that we can heal through sound? While this music may not be specifically targeted at healing any specific trauma, I feel that there is deep healing power and spiritual significance in these sounds. Tune in to Low Indigo with Michael Red’s Lowi 1&2, and allow yourself to truly listen. Everyone will have a different experience.
What is yours?
Be sure to catch Michael Red this summer at one of his many exciting festival dates including Bass Coast and Shambhala among others. He is famous for his early morning sets, so don’t sleep. Or wake up early…
Fresh off the press from Ninjatune, comes Machinedrum’s newest single “Eyesdontlie.” This shimmering splendor explores the 170 bpm tempo range with cutting originality. With a seductive half time feel supporting beautiful vocal samples and driving percussion, Machindrum has spun beauty into this web of frequencies. The official release is scheduled for July 29, 2013 and can be pre-ordered directly from Ninjatune here. Be sure to catch Machinedrum at one of his west coast festival dates this summer including What The Festival near Portland, Bass Coast in Nicola Valley, BC and Decibel Festival in Seattle.[youtube http://www.youtube.com/watch?v=5cJLfzTSsTc]
The legendary BC bass camp, Shambhala Music Festival has listed their 2013 lineup – and oooh my oh my, this event is going to be… Well how else can I describe it, other than HAM. Shambhala Music Festival is going HAM. No if ands or buts about it. Only butts about it. HAM
Be sure to check out On The Road To Shambhala for a taste of what’s to come!
And don’t miss this exclusive interview with the infamous iLL Gates, discussing the power of SMF!
Here’s a link to check out all your favorite artists. Too, too many to list.
Well folks, the time has come to begin thinking again about summer time. While it may not feel like it yet, Shambhala Music Festival is right around the bend. Check out this exciting teaser featuring footage from last year.
Do you recognize anyone? Be sure to enter the contest for your chance to win your way into one of Canada’s most highly regarded events of the summer. Instructions are below.
☆ ☆ ON THE ROAD TO SHAMBHALA CONTEST ☆☆
★ PRIZE: A ticket to Shambhala 2013
★ HOW TO PLAY: Name as many artist cameos in the SMF Presents: On the Road to Shambhala! video as you can.
★ WHO WINS: Entries with the highest # of correct names will be entered into a draw for the ticket.
★ HOW TO SUBMIT YOUR ENTRY: Email your answers to email@example.com with Subject Line: ON THE ROAD TO SHAMBHALA. Also, throw in a note that you found out about the contest through GANJAOLOGY.
★ CONTEST CLOSES: FRIDAY, APRIL 5TH AT NOON
★ Please number your list, for example…
1. First artist you see
2. Second artist you see
The video features fresh beats by BC locals, Clyphs (Woodhead & S2)
The track, “Out Front” available to download for free here!
Heads up to the film and photo community, Grounded TV Network has the contest that will surely blow the minds of 5 fit photographers this summer. This BC based media company has been responsible for some of the highest quality footage and photos of many of the most extraordinary and extravagant parties on this side of the planet. They will be selecting 5 candidates to represent them this summer at the festivals of their choosing.
Yes, you heard it right…
Win this contest and go to any festivals you want this summer!
Here’s how it works.
To enter, email 10 examples of your best work (.jpg) , along with an introduction to yourself and your work, and a list of the festivals you would like to work with. Email firstname.lastname@example.org –DEADLINE MARCH 25TH. Out of 15 finalist, 5 winners will be selected by public voting.
-Must be 19 or older.
-Not paid work, but you will usually get 2 tickets to the festivals you shot, as well as the option to sell or trade ad space in your online photo sets.
-Winners will also get a bunch of prizes from our sponsors (more being added soon), a hard cover book of their photography at the end of the year, and the option to sell this book, along with prints of there work through an online store of Grounded, all money going to the artist.
Check out some examples of photos and film from the Grounded TV Network below and be sure to head over to their site for more footage, photos, an awesome blog and much more!
Let your energy be a part of maybe the most important movement of our time. Check out the Bloom Series in this intro film below to get a better idea of what you might be getting yourself into.
And remember, this is all love!
Here are some new free downloads from one of the most outstanding producers in Vancouver, Self Evident. You’ve heard his name before, or maybe not…either way…start clicking download! These are some of the best free tunes I’ve heard in a minute.
Summer vibes never die! Just as the rain is getting ready to star penetrating deep into the souls of everyone in the North West and Snow is beginning to fall out East, one of West Canada’s most prominent bass music artists, Self Evident, has just released a dancehall mix that preaches the energy of every summer. This 30 minute mix could inspire thoughts of what’s to come in the summer of 2013…or…it can trigger all the positive memories of this past year, 2012, and years prior. Any inspiration you take away from this mix is going to be good. Embrace the sounds that Self Evident is spreading!
It’s been three weeks, and whispers of Bass Coast can still be heard echoing through the old growth forests of the Pacific North West. For miles the trees have been in conversation about a consciousness that is beginning to manifest itself in human space. Bass Coast is a cosmic gathering of like minded individuals brought together to share in this new understanding. Through music and dance, creation and collaboration, healing and heart; Bass Coast supports this progression toward a new paradigm.
Held in Squamish, BC along the banks of the Elaho River, Bass Coast 2012 was paradise. Imagine a beach party beside a winding river, overshadowed by glacial mountain peaks under a diamond sky. The festival was an extra-ordinary gathering of beautiful smiling faces, enveloped in lush forest, dancing to dastardly beats. Bass Coast participants were consumed by prodigious beauty, natural and synthetic alike.
Oh, and don’t forget the full moon vibration holding strong through the weekend…
For three days, we were immersed in an environment conducive to the highest forms of art and expression. Whether relaxing by the water, tuning in to one of the many conscious workshops, or collecting and connecting in the village; every Bass Coast participant could find him or herself involved in exciting and enlivening daytime activity. The festival offered a shaded workshop space on the beach for early morning yoga, daily dance instruction, and group meditation; a geodesic dome space for knowledge sharing which included workshops on unified field theory, Ableton Live, and Chinese astrology; and a pyramid housing a larger-than-life alter to promote alter-native expression and enlightenment. All this was amplified by an abundance of art installations of all shapes and sizes.
Days filled with creativity and conscious conversation created a perfect platform for the nights ahead. As the sun dipped behind the mountains and the stars began to reveal the light behind their glittering gaze, the real excitement ensued. Three undeniably awesome stages complete with superior sound systems, held space for an awesome array of local and international musicians. The DJs represented at Bass Coast are easily some of the most progressive and enthusiastic producers and performers of our time. The Canadians came in steaming hot with sounds by Daega Sound, Bevy Swift, Calamalka, Neighbor, Jpod The Beat Chief, Librarian, Kir Mokem, HxDB, Mat The Alien, and the Lighta! Crew, just to name a few. Among the internationals was Machinedrum, Lafa Taylor, Noah D, Justin Martin, and Danny Corn, along with many more. One could not have been at all of the performances if she wanted to. That said, there were times at which we found ourselves aligned on so many levels it felt as if we were at multiple places at once. With the high level of conscious expansion demonstrated at Bass Coast, this scenario is certainly not outside the realm of possibility.
The energy at Bass Coast was high to say the least. Organizers Liz Thomson and Andrea Graham have outdone themselves in their fourth year with the Bass Coast Project. In their mission to support the local electronic underground arts community, the Bass Coast Project is surpassing expectation. The people are beautiful, the music phenomenal, and the workshops exciting and informative. Kudos to all that helped to make Bass Coast what it has been – an opportunity…
To contemplate, to educate, to innovate and to CREATE!
We’ve listed some music for you guys to check out below, and look out for some specific artist highlights to come over the next few weeks.
See you in Squamish next year for Bass Coast 2013!
Big up to Zac Cirivello of Black Rock City, LLC for sharing the photos seen here.
Check out a few more below!
We earth beings are nourished, energized and enlivened by rain. Petrichor, the sweet smell of rain after a dry spell, fills our nostrils and reminds us of the beauty of life and our connection to the earth. Resulting from the oils secreted by plants and captured in clay, then released into the atmosphere; petrichor pulls our attention toward the skies. Enjoy the cool energy that flows from the heavens and let the droplets splash on your face… rinsing body, relaxing mind, and awakening spirit.
Art by Stewart.
Take a moment out of your early morning to slip into a relaxing mediation session led by none other than Canada’s own, Daega Sound, with their new, all original, Futureproofing mix. The level of chill these guys reach while keeping their music on the deep dark side truly amazes me. With sub lines you feel in the middle of your gut, sporadic melodies that allow you to drift in and out of your consciousness, and complex drum patterns that sure don’t lack a kick, I just don’t see what is not to love. 2012 is proving to be quite a year for these fellas. Stay tuned for more.
And seriously…try a 28 minute stretching session with this mix. You won’t regret it.