The Basscoast Mutiny lineup has been revealed, and as expected, it’s stacked with an impressive array of musical talent. For the past three years the Ganjaology team has adventured north into the Canadian wilderness to share in one of the highest vibes parties this side of the Kootenays… and you better believe we’re gearing up for another round!
Year after year the Bass Coast Project continues to amaze, enliven and inspire. Once again, this year The Bass Coast Girls (organizers Andrea Graham and Liz Thomson) have outdone themselves. Performances for this year’s bush session include Addison Groove, Tribe Called Red, Bogl, Cure, D Bridge, Danny Corn, G Jones, J.F. Killah, Kir Mokem, Mat The Alien, Max Ulis, Natasha Kmeto, Nick Wisdom, Philthkids, Self Evident, Sweater Beats, Tank Gyal, Librarian, and Yan Zombie among others!! We’ve listed music from many of the musicians below.
Listen to the sounds and imagine yourself in the forest, the beats filling your auditory field. Notice how you feel as these frequencies are filtered through your receiving centers. Are you inspired? Does the music make you move, make you bow your head and hum… Do these sounds suggest to you love or lust, laughter or longing? Are you sick with excitement?
Whatever the case, our physicians here at Ganjaology Institute prescribe one fat dose of BC trees combined with all manner of creation from raw to refined (super pun here, please smirk responsibly). Coincidentally you can get all this at Bass Coast. Do your body a favor and get up to Merritt, BC this August for Bass Coast 6 Mutiny!
A THOUSAND YEARS
A TRIBE CALLED RED
ANDREW VAN HASSEL
DJ K-TEL SUNDAY SOUL SESSIONS
DJ LORNE B
EL PAPA CHANGO
FORT KNOX FIVE
HEART TO HEART (BRON AND MOE LOWE)
JANOVER & RESUNATOR
JPOD THE BEAT CHEF
KRYSTLE LOVE B
LUCITERRA & CHRIS MURDOCH
MAT THE ALIEN
SWEET SOUL BURLESQUE
THE FUNK HUNTERS
If you’re not already a part of the Vancouver bass music scene, you likely aren’t yet privy to the distinct sounds of Self Evident. This BC native is known for his high grade, genre flexing DJ sets and masterful production. Sticking mostly to the heady, subterranean type vibes, Self Evident’s sets move through dubstep, future bass, raw dub, trap, footwork, jungle, juke and other ill defined contemporary frequencies. The bottom line is that the man has a knack for creating sonic landscapes which push the musical envelope and create opportunity for vibrating gyrations of the pelvic kind.
I recently had the chance to catch up with Self Evident when he was performing in Seattle. While kicking back and enjoying some classy beverages, we chatted about everything from birds to bees to bass… Check out the interview below.
Also, I’ve included some essential sounds by Self Evident. Feel free to toggle to your hearts desire. Just today, he is releasing his 8 track album, Rubbaman with Really Good Recordings. Be sure to cop that on Beatport!
In just a few short days, Self Evident will be headed up to Merrit for the weekend to participate in BC’s most bossed up bass music festival… Bass Coast. He will be performing among other superb acts including the whole team from Lighta! Sound, the infamous Librarian, Michael Red, Goth Trad, Machinedrum, HxDB, Om Unit, Dan Solo, Daega Sound, DJ Cure, Neightbour, Mat The Alien, Random Rab, The Fungineers, Alphabets Heaven, Calamalka, and many more. If you’re going, don’t miss Self Evident’s solo set along with the Lighta! Reggae Jam…
Here’s the interview. Big up and many thanks to Ben for his kindness in sharing with us!
GANJAOLOGY: Alright… We are here in Seattle. This is Mickey Mars with Ganjaology. I’m here with Self Evident. He’s from Vancouver BC. So do you want to just tell us a little bit about yourself?
SELF EVIDENT: Self Evident. Vancouver BC. Representing Lighta Sound!.
GANJAOLOGY: Nice. Very nice. Welcome. So ya, this is your first night playing in Seattle?
SELF EVIDENT: Ya
GANJAOLOGY: Nice. Well we are looking forward to checking it out. I hope you are enjoying your time in Seattle so far.
SELF EVIDENT: It’s beautiful here.
GANJAOLOGY: Great! Let’s start with the basics. How did you originally get into music?
SELF EVIDENT: Definitely having older siblings helps, like my brother’s four years older than me, and he got into electronic music pretty early. He introduced me to a lot of seriously old school dance music which gave me sort of that leg up that a lot of those british guys have, as far as knowing about electronic music when they were kids. And then… How did I get into shit?
GANJAOLOGY: Did you play any instruments in school?
SELF EVIDENT: I did, I was a musician. I was in a few bands, like playing guitar and stuff. And I guess Max had DJ’d for a long time, I’ve been producing for a long time. And then we sort of traded off those skills a little bit, so that helped. And then, a huge influence was when my brother did a Tuesday weekly called Grime Sessions out of the back room in Shine Night Club in Vancouver, and that still has such a huge impression on me. I used to go to every Tuesday and get really drunk and dance super hard to grime music, and I still… that’s probably the biggest influence on me besides like, dancehall is pretty big for me. But grime does something deep inside of me that I can’t explain, like more than any other style.
GANJAOLOGY: Nice, that’s funny. Well my next question was what is your biggest inspiration, haha…
SELF EVIDENT: Well I still collect grime on vinyl. It’s like one of my hobbies. I have a pretty serious vinyl grime collection, and also UKG and two step. Still collect that on vinyl.
GANJAOLOGY: Any specific artists?
SELF EVIDENT: Ahhhh… Nope.
GANJAOLOGY: Nice. Perfect. Haha. That’s awesome man, well we’re looking forward to seeing what you play tonight.
SELF EVIDENT: I guess hip-hop is a huge influence on me too. Gangster stuff. I remember, I think, that my brother bought this NWA tape, “Hundred Miles and Runnin'” And back then you actually had to be of a certain age to buy a thing that was explicit material. I remember him buying that. I couldn’t have bought it at the time. And listening to it. That was a big influence for sure. Lot’s of hip hop. Big influence.
GANJAOLOGY: My mom made me return the Cash Money Millionaires, Juvenile album.
SELF EVIDENT: Oh my god, hahaha. Hilarious.
GANJAOLOGY: Right!? Anyway, I’ve seen you perform a couple times. Always in Canada. I gotta say Canada is unbelievable. The bass scene up there is pretty awesome. Vancouver primarily, but Canada in general. So what can you say about that?
SELF EVIDENT: Ya, I feel really blessed with what’s going on in Vancouver right now. We’ll even get headliners in from London who are like… The scene is even more into the music than in England. You know what I mean, like really dedicated fans. And not only that but fans that know their shit. Like I learn shit from my fans. “You need to check out this” or “you need to check out that” They’re on to it. And their really… Maybe a lot of conditioning from the early Dub Forms parties, but people are open to hear something that they never heard before. They’re almost expecting that from me and from other DJs, you know. They’re ready to give me the fucking, “What the fuck is that shit stuff”
GANJAOLOGY: Ya that’s awesome! So ya, we spoke a little bit about your brother, but I have to ask. Obviously you guys are connected. I’ve seen you at the same events, doing the same shows, stuff like that. You came out with the Eastsiders EP last year, which was awesome! That one track has been echoing in my head all summer.
SELF EVIDENT: “Numba One Stunna?”
SELF EVIDENT: Oh Nice
GANJAOLOGY: “Move ya, Move, Move…” Like aaahhhh. So do you guys have any new releases that you’ve been working on together?
SELF EVIDENT: Working on lots of stuff with my bro. He’s very meticulous about what he puts out so don’t know when that stuff will surface. Really stoked for my collabos with Subcorr. Double Intention is our R&B one, and Blockout is the grime one that we’re working on. Those are going along really well.
GANJAOLOGY: Nice. Are those going to be EPs or full length?
SELF EVIDENT: We have a whole album produced with the R&B one. We’re just working with a vocalist right now to write some songs. And then the Blockout one, we have about five or six tunes just about done. Just about to start chopping them to labels. Grime with a little bit of dubstep with a future kind of influence.
GANJAOLOGY: Nice that’s awesome. Ya I think one of the things that has majorly impressed me personally is your ability to transition between different genres, and really to just bring a certain level of play. It’s like your sound, but yet you’re moving through a lot of different stuff. I wanted to ask specifically about the Wepa! album. I heard that and it’s just way different, and super cool. So would you tell us a little bit about that one.
SELF EVIDENT: Ya, I met this guy Will Eede from Argentina, and my buddy Dustin (Gameboy) spent a little time in Mexico. And they kinda had a history with Cumbia music and they introduced me to Cumbia, and it was really intersting. Anytime I hear something that’s like so out of the pallet that I know, it’s always like wow. There’s something I can take from that. Whenever I hear something super fresh, I instantly have to go and make something with that influence right away. Anyway, through working with them got super influenced by a lot of the Latin artists. Chancha Via Circuito, Super Guachin, Black Mandingo. But right now kinda working on a little bit of a druggy, trippy sort of indiginious music influenced thing with Will Eede. And then, with Gameboy, we’re hopefully gonna be doing a project with Lido Pimienta who’s out of Toronto. Really, really talented singer who’s originally out of Columbia. So that’s on the horizon for that.
GANJAOLOGY: Cool, Nice.
SELF EVIDENT: And if possible, I’d like to mention my co-lab with Yan Zombie that we’re working on right now. It’s like some mad Dr. Dre Chronic shit meets future bass. Really, really excited for that. That man is a king on the keyboards. Which kinda gives me that thing which I don’t have quite yet, which is that live keyboard playing.
GANJAOLOGY: Great. So I’ve seen you a couple festivals as well as clubs. Do you have a specific favorite place to play or general vibe that you like?
SELF EVIDENT: Ya, my brother’s night’s at Open Studios are pretty legendary. Just such a good vibe there. He always puts together a great lineup. Michael Red of course used to put on the Dub Forms parties there in the really early dubstep days, bringing all the early dubstep innovators before people were on to that shit. So that space is amazing. Obviously I have my monthly at the Astoria which is a little more grubby gangsta style.
GANJAOLOGY: What’s the name of that night?
SELF EVIDENT: That’s a good question. I’ve been doing it for over a year now and I still don’t have a name for my monthly. Haha, I actually thought about one while laying in bed last night… And I forgot it. I though it was the one though. It will come back to me. Thinking of a name for something is hard!
GANJAOLOGY: Any big plans for the summer, plans for the year? Anything you are particularly excited about?
SELF EVIDENT: Well Bass Coast Festival of course. Probably… As far as like, for real heads, future heads… I don’t see another lineup in all of North America which has that much quality at the top of it. You know what I mean? Like, not just… I don’t want to name names, but not just shit that the masses are into or know about. You know, like stuff that the real heads wanna see super bad. It’s just a massive lineup, in that sense. Andrea, her taste in music… To have someone picking all the music like that, it’s awesome.
GANJAOLOGY: Yes. Very excited. We’ll be there for sure.
SELF EVIDENT: It’s weird. It’s the only festival I’m playing this year though. I go five last year so…
GANJAOLOGY: You’re pushing the production then, huh?
SELF EVIDENT: Working on it, ya. Oh for sure. Working on a whole album right now. It’s kinda grime, dubstep, kinda thing. It’s weird, there’s a wickid resurgence in dubstep right now. Proper dubstep is coming back. People like Kahn obviously. He’s a big part of why this is coming about. A lot of people are like, “Oh shit. I wanna hear this again” Daega has been saying it to me for a couple months, or even longer than that. I just played in New York City for a guy that does a monthly called Reconstruct, They have a serious following for proper dubstep in NYC right now. Their shows are selling out and they’re bringing all those big names again, and they’re doing it proper.
GANJAOLOGY: Anything you care to share that you haven’t said already?
SELF EVIDENT: August 23rd I’m doing a show at the Astoria with Monolithium from Victoria, and Bevvy Swift from Montreal, and Crusha who just got a release on Mad Decent! And Kimmy K, it will be one of her first sets. She’ll be opening up. Should be good. I think that’s it. And shout out to HxDB, everyone in Lighta! of course, Librarian… Who else should I shout out? Oh my god, they’ll hate me. Ok that’s about it.
GANJAOLOGY: Awesome. Thanks!
It’s been three weeks, and whispers of Bass Coast can still be heard echoing through the old growth forests of the Pacific North West. For miles the trees have been in conversation about a consciousness that is beginning to manifest itself in human space. Bass Coast is a cosmic gathering of like minded individuals brought together to share in this new understanding. Through music and dance, creation and collaboration, healing and heart; Bass Coast supports this progression toward a new paradigm.
Held in Squamish, BC along the banks of the Elaho River, Bass Coast 2012 was paradise. Imagine a beach party beside a winding river, overshadowed by glacial mountain peaks under a diamond sky. The festival was an extra-ordinary gathering of beautiful smiling faces, enveloped in lush forest, dancing to dastardly beats. Bass Coast participants were consumed by prodigious beauty, natural and synthetic alike.
Oh, and don’t forget the full moon vibration holding strong through the weekend…
For three days, we were immersed in an environment conducive to the highest forms of art and expression. Whether relaxing by the water, tuning in to one of the many conscious workshops, or collecting and connecting in the village; every Bass Coast participant could find him or herself involved in exciting and enlivening daytime activity. The festival offered a shaded workshop space on the beach for early morning yoga, daily dance instruction, and group meditation; a geodesic dome space for knowledge sharing which included workshops on unified field theory, Ableton Live, and Chinese astrology; and a pyramid housing a larger-than-life alter to promote alter-native expression and enlightenment. All this was amplified by an abundance of art installations of all shapes and sizes.
Days filled with creativity and conscious conversation created a perfect platform for the nights ahead. As the sun dipped behind the mountains and the stars began to reveal the light behind their glittering gaze, the real excitement ensued. Three undeniably awesome stages complete with superior sound systems, held space for an awesome array of local and international musicians. The DJs represented at Bass Coast are easily some of the most progressive and enthusiastic producers and performers of our time. The Canadians came in steaming hot with sounds by Daega Sound, Bevy Swift, Calamalka, Neighbor, Jpod The Beat Chief, Librarian, Kir Mokem, HxDB, Mat The Alien, and the Lighta! Crew, just to name a few. Among the internationals was Machinedrum, Lafa Taylor, Noah D, Justin Martin, and Danny Corn, along with many more. One could not have been at all of the performances if she wanted to. That said, there were times at which we found ourselves aligned on so many levels it felt as if we were at multiple places at once. With the high level of conscious expansion demonstrated at Bass Coast, this scenario is certainly not outside the realm of possibility.
The energy at Bass Coast was high to say the least. Organizers Liz Thomson and Andrea Graham have outdone themselves in their fourth year with the Bass Coast Project. In their mission to support the local electronic underground arts community, the Bass Coast Project is surpassing expectation. The people are beautiful, the music phenomenal, and the workshops exciting and informative. Kudos to all that helped to make Bass Coast what it has been – an opportunity…
To contemplate, to educate, to innovate and to CREATE!
We’ve listed some music for you guys to check out below, and look out for some specific artist highlights to come over the next few weeks.
See you in Squamish next year for Bass Coast 2013!
Big up to Zac Cirivello of Black Rock City, LLC for sharing the photos seen here.
Check out a few more below!
This ones a big one. The Ganjaologist showed me a mix done by the Librarian a few weeks back and this song stuck out to me the most of all the tracks. Doshy, a german producer, has created such a unique sound in this tune with a dubstep feel yet its nothing like any other dubstep I’ve heard. It’s so spacey and minimal yet so huge at the same time. Check this one, you wont be disappointed.